| La shortlist, uno per nazione.
Afghanistan, “Wajma – An Afghan Love Story,” Barmak Akram, director Albania, “Agon,” Robert Budina, director Argentina, “The German Doctor,” Lucía Puenzo, director Australia, “The Rocket,” Kim Mordaunt, director Austria, “The Wall,” Julian Pölsler, director Azerbaijan, “Steppe Man,” Shamil Aliyev, director Bangladesh, “Television,” Mostofa Sarwar Farooki, director Belgium, “The Broken Circle Breakdown,” Felix van Groeningen, director Bosnia and Herzegovina, “An Episode in the Life of an Iron Picker,” Danis Tanovic, director Brazil, “Neighboring Sounds,” Kleber Mendonça Filho, director Bulgaria, “The Color of the Chameleon,” Emil Hristov, director Cambodia, “The Missing Picture,” Rithy Panh, director Canada, “Gabrielle,” Louise Archambault, director Chad, “GriGris,” Mahamat-Saleh Haroun, director Chile, “Gloria,” Sebastián Lelio, director China, “Back to 1942,” Feng Xiaogang, director Colombia, “La Playa DC,” Juan Andrés Arango, director Croatia, “Halima’s Path,” Arsen Anton Ostojic, director Czech Republic, “The Don Juans,” Jiri Menzel, director Denmark, “The Hunt,” Thomas Vinterberg, director Dominican Republic, “Quien Manda?” Ronni Castillo, director Ecuador, “The Porcelain Horse,” Javier Andrade, director Egypt, “Winter of Discontent,” Ibrahim El Batout, director Estonia, “Free Range,” Veiko Ounpuu, director Finland, “Disciple,” Ulrika Bengts, director France, “Renoir,” Gilles Bourdos, director Georgia, “In Bloom,” Nana Ekvtimishvili and Simon Gross, directors Germany, “Two Lives,” Georg Maas, director Greece, “Boy Eating the Bird’s Food,” Ektoras Lygizos, director Hong Kong, “The Grandmaster,” Wong Kar-wai, director Hungary, “The Notebook,” Janos Szasz, director Iceland, “Of Horses and Men,” Benedikt Erlingsson, director India, “The Good Road,” Gyan Correa, director Indonesia, “Sang Kiai,” Rako Prijanto, director Iran, “The Past,” Asghar Farhadi, director Israel, “Bethlehem,” Yuval Adler, director Italy, “The Great Beauty,” Paolo Sorrentino, director Japan, “The Great Passage,” Ishii Yuya, director Kazakhstan, “Shal,” Yermek Tursunov, director Latvia, “Mother, I Love You,” Janis Nords, director Lebanon, “Blind Intersections,” Lara Saba, director Lithuania, “Conversations on Serious Topics,” Giedre Beinoriute, director Luxembourg, “Blind Spot,” Christophe Wagner, director Mexico, “Heli,” Amat Escalante, director Moldova, “All God’s Children,” Adrian Popovici, director Montenegro, “Ace of Spades – Bad Destiny,” Drasko Djurovic, director Morocco, “Horses of God,” Nabil Ayouch, director Nepal, “Soongava: Dance of the Orchids,” Subarna Thapa, director Netherlands, “Borgman,” Alex van Warmerdam, director New Zealand, “White Lies,” Dana Rotberg, director Norway, “I Am Yours,” Iram Haq, director Pakistan, “Zinda Bhaag,” Meenu Gaur and Farjad Nabi, directors Palestine, “Omar,” Hany Abu-Assad, director Peru, “The Cleaner,” Adrian Saba, director Philippines, “Transit,” Hannah Espia, director Poland, “Walesa. Man of Hope,” Andrzej Wajda, director Portugal, “Lines of Wellington,” Valeria Sarmiento, director Romania, “Child’s Pose,” Calin Peter Netzer, director Russia, “Stalingrad,” Fedor Bondarchuk, director Saudi Arabia, “Wadjda,” Haifaa Al Mansour, director Serbia, “Circles,” Srdan Golubovic, director Singapore, “Ilo Ilo,” Anthony Chen, director Slovak Republic, “My Dog Killer,” Mira Fornay, director Slovenia, “Class Enemy,” Rok Bicek, director South Africa, “Four Corners,” Ian Gabriel, director South Korea, “Juvenile Offender,” Kang Yi-kwan, director Spain, “15 Years Plus a Day,” Gracia Querejeta, director Sweden, “Eat Sleep Die,” Gabriela Pichler, director Switzerland, “More than Honey,” Markus Imhoof, director Taiwan, “Soul,” Chung Mong-Hong, director Thailand, “Countdown,” Nattawut Poonpiriya, director Turkey, “The Butterfly’s Dream,” Yilmaz Erdogan, director Ukraine, “Paradjanov,” Serge Avedikian and Olena Fetisova, directors United Kingdom, “Metro Manila,” Sean Ellis, director Uruguay, “Anina,” Alfredo Soderguit, director Venezuela, “Breach in the Silence,” Luis Alejandro Rodríguez and Andrés Eduardo Rodríguez, directors
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